AVG空间2025年驻留项目，公开征集中收到许多优秀艺术家的提案申请，经过AVG委员会的筛选评定，我们非常愉快地宣布入选此次驻留项目的艺术家刘玥拉姆于4月8日入驻，展开艺术交流与创作。AVG将协助艺术家完成一系列创作及驻留成果展示，敬请期待。
入选艺术家简介
刘玥拉姆
Lhamo Yue Liu
刘玥拉姆是艺术家，同时以展览策划与写作作为行动媒介。西藏当代艺术“日目 Remu” 计划发起人，现居上海和拉萨。MFA 硕士毕业于加州艺术学院(CalArts)，BFA本科毕业于纽约视觉艺术学院。她的作品试图进入人类世的物象与现象宇宙，以有灵论的观察重现被剥削、被遗忘的地方生态感知史。她也以策展与写作作为直接媒介，观察弥留于人类世中的精神性，探寻后殖⺠语境下原住民文化表现中被忽视的人类世出路。
她近年主导策划的展览包括：《珠穆朗玛峰的回响：西藏现当代艺术中流变的哲思》，寒山美术馆物馆，苏州（2022）； 《珠穆朗玛峰的回响：空间/地方/自然》，大千当代艺术中心，北京（2022）；《圆缺的村落》，空山美术馆，杭州。
她近期发起或参与的一些主要公共活动包括：《西藏当代艺术：自然的驱使；神性的复制；母语的回归》，民生现代美术馆，北京（2021）；《无常为常》，上海当代艺术博物馆（2023）； 《边地民族志：引入当代艺术》，寒山美术馆，苏州（2022）。
她的个人展览及项目包括：《突色拉瓦：从后殖民时代下的复制到无法被格式化的万物有灵论》，空山美术馆（2021），杭州；《神话台》，盘子空间，北京（2022） ；《伪神话》，贺兰山美术馆，银川（2022）；《魂叙事：巫术作为反抗》，加州艺术学院D301画廊（2023）。作为写作者，她的艺术评论曾发布于T CHINA和WSJ CHINA，曾替普林斯顿大学的中文出版校译《数学与艺术：一部文化史》一书（2016）。
Liu’s researches and art creations focuses on the sources of the definition and contemporary fermentation of the cultural vocabulary of "the other", which involves the exploration of the culture and history and politics of the ethnic group of the departed, the observation of the spirituality that remains in modern society, and the cultural expressions in the post-colonial era. Liu has conducted excavation and research on contemporary art practice with an interdisciplinary way of thinking, and she has led various forms of cultural projects. As a curator, Liu’s recent direction of art career is mainly in art anthropology, focusing on the expression of ethnicity, cultural bearing and the boundary in art.
As a curator, her exhibitions include:Echoes of Mt.Qomolangma: Unfolding Thoughts in Modern And Contemporary Art in Tibet,Hanshan Museum, Suzhou(2022); Echoes of Mt. Qomolangma:Space/Place/Nature, Daqian Contemporary Art Center,Beijing(2022);The Village of the Roundness, Kongshan Museum, Hangzhou. Some main public events she initiated or participated recently include: Tibetan Contemporary Art: Prompt of Nature; Duplication of Divinity; Return of Mother Tongue, (西藏当代艺术：自然的驱使、神性的复制，母语的回归）Minsheng Art Museum, Beijing(2021); Impermanence and Inaction(无常无为),Power Station of Art, Shanghai(2023); Ethnography On Borderland: Importing Contemporary Art, Hanshan Museum, Suzhou(2022). Her solo exhibitions include: Tusalava: From Post-Colonial Reproduction to Irreproducible Animism, Kongshan Museum(2021), Hangzhou; Mythical Platform, Plate Space, Beijing(2022); Fake Myth, Museum of the Helan Mountain, Yinchuan(2022); Ghost Narrative: Sorcery As Rebellion, D301 Gallery at California Institute of the Arts(2023). Her article has been published in T magazine China and WSJ China, and her translation work includes: Mathematics and Art: A Cultural History, Princeton University Press(2016).
历史的症结 Scabs of History
Hemp Rope,White Oil Paints, Milk,Honey,Salt；Variable Size；麻绳 白油漆 牛奶 蜂蜜 盐；尺寸可变 2023；瓦伦西亚，加州 Valencia，Cali